鬼咬鬼

简介：

　　70年代，传奇人物吉米·邦兹尽职尽责地守护着一个居民区的安全。在他的蔽护下，小区内一片安宁祥和，人们对这位举止沉稳、相貌不凡的“守护神”尊崇备至。可是，邪恶无时无刻不在觊觎着这片净土。邦兹万万没有料到，与他最亲密的友人正打算在小区内大做毒品交易。由于拒绝同这伙人合作，邦兹遭到他们的背叛与杀害。
　　斗转星移，日月如梭。20多年后的今天，昔日的小区在犯罪和毒品的摧折下满目疮痍。在人们的记忆里，吉米·邦兹已成为一个令人敬畏的传奇人物和象征美好时代的神灵。他生前那所富丽堂皇的住宅——他的葬身之处——依然屹立，然而已空无一人、凋敝不堪。而且房子里经常闹鬼，那些贸然闯入的人们往往一去不回，再也没见他们出来。
　　也许是命中注定，背叛邦兹的朋友之一耶利米的儿子们雄心勃勃的回到小区，买下邦兹的那所哥特式建筑，打算开一家夜总会。然而，埋葬在地下室内的邦兹依然阴魂未散，多年来，这含冤之鬼一直盘踞在这座阴森、空阔的楼房里，寻找复仇的机会。兄弟俩对此一无所知，他们兴高采烈、迫不急待地搬进这所阴森的鬼屋，一心想着将它装修一新后开张大吉。
　　刚一跨进门槛，一连窜匪夷所思、令人毛骨悚然事件接踵而来。不久，这伙惊魂未定的年轻人才回过神来：吉米·邦兹的鬼魂正在追寻、报复那些背叛过他的人。
　　然而，邦兹阴魂的出动并非完全在于复仇，他依然念念不忘忠贞不渝的妻子珀尔以及他死后才出生的女儿辛西娅......

简介：一对夫妇野营旅行时，碰见了正在行凶的罪犯，并在准备不声不响离开时绊倒了的悲惨故事……

简介：

讲述了一位励志演说家感染了一种源自她家乡的神秘病毒后拼命试图阻止这种寄生生物对她身心的折磨和控制。

简介：A challenging thriller that tackels gender issues. Four friends spend a hot summer afternoon at an abondoned quarry. They enjoy bathing in the lake and soaking up the sun. However, a dispute ensues and the tension rises as they find themselves trapped.

简介：　　亚利桑那州的枪枝商店内，白人男孩负责买枪，再交由开卡车的墨西哥少年穿越美墨边境，运到贩毒大本营西纳洛亚。毒枭媲美军队的强大火力，拜美国松散的枪械管制之赐。少年工作如常，浑然不觉已被资深探员汉克盯上，但正当汉克准备逮捕他们时，却反遭撂倒沦为人质。不知所措的墨西哥少年，竟决定带他回墨西哥。分属对立阵营的两人，就此命运紧紧相连，开向未知。
　　导演加布里埃尔·利普斯坦获第65届柏林电影节最佳处女作奖。

简介：首屈一指的驯鸟师茅山豪在凤凰岛遭遇变异物种袭击，并不断有人离奇失踪，人心惶惶，为了探寻真相，豪哥与治安队队长孟前冰释前嫌并通力合作，一步步逼近真相……

简介：　　小女主在父亲不在家时，经历了一场神秘的全球危机，在一个强大的邪恶的力量中侥幸生存下来，这个强大的邪恶力量就隐藏在他们家里，并进入她的身体，她的父母，试图从神秘力量中拯救他们的女儿...

简介：因发电厂筑坝施工，卡胡瓦西河将要变为湖区而消失，路易斯（伯特·雷诺兹 Burt Reynolds 饰）、艾德（强·沃特 Jon Voight 饰）、波比（尼德·巴蒂 Ned Beatty 饰）和德鲁（罗尼·考克斯 Ronny Cox 饰）四个爱好冒险和自然的好友结伴，计划在周末前往卡胡瓦西河漂流。四人在即将成为湖区的萧条小镇找到向导，终于抵达河岸，简单准备后就开始了冒险。第二天早上，试图打猎的艾德一无所获，在强壮敏捷的路易斯面前颇感无趣，与胖子波比先行下河探路，然而他们遇上了两个持枪的陌生人，对方将他们控制并施以侮辱，路易斯赶到后将陌生人杀死。四人匆匆逃离此地，此时，河水变得狰狞，激流与岩石处处致命，一场冒险之旅成为了夺命之旅……

简介：取材传统民间习俗轶事。民间信仰中，为求幼童平安长大，会祭拜鸟仔婆，也就是俗称的床母，并在床上进行焚香祭拜；由于祭拜位置一点，常会吸引孤魂与地缚灵抢 食香火，顶替神祗。　　由于女儿向来不爱与人交谈，有轻微的自闭倾向，父亲求神问卜后，开始侍奉民间家神-鸟，由于父亲接下新工作，全家人搬离大都市，住进乡村的豪华宅院里。 仔婆，俗称床母，保佑幼童不哭不闹，安稳长大。　　女儿症状逐渐好转，原本情绪化的女儿，变得乖巧可爱，母亲感觉到成为完美母亲的骄傲。但女儿却开始彻夜不眠，与新认识的好友每晚玩游戏；但屋里，除了夫妻与女儿 外，再也没有第四人进来过，这位神秘的新玩伴竟是...

简介：

　　A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
　　Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
　　This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
　　One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
　　- JohnHowardReid, imdb

简介：一对父母出于未知原因，突然对自己的孩子变得极其暴力，在这疯狂的24小时里，年轻的女孩和弟弟必须独自求生…

简介：

该片改编自同名人气网漫，讲述曾经被鬼压床或者能看到过鬼等有过一些灵异体验的同好会会员们一同前往凶宅后经历的故事。