边走边唱2

简介：这部电影讲述了一位29岁的日本记者伊藤诗织的动人故事，她声称自己是在2015年的一次工作晚餐会上被时任东京广播公司华盛顿分社的社长、日本首相安倍晋三的传记作者山口敬之强奸。但山口先生强烈否认了这一说法。 　　尽管向警方报案，但警方要求伊藤用真人大小的娃娃重新模拟所谓的强奸案，该案件经过一年的调查后被撤销。当伊藤采取前所未有的决定公开她的指控并揭露她的身份时，她遭到了公开的羞辱和仇恨邮件。 　　这部影片在上映后的一年内，以独特的方式记录了伊藤。虽然全球MeToo运动激励全世界的女性大肆宣传他们对性侵犯的指控，但在日本的回应却很平静。伊藤没有被吓倒，她访问了认为她失败的机构，并见了其他害怕不敢说话的女性。这部电影将伊藤的故事与日本更广泛的社会背景交织在一起，直到2017年，强奸的最低刑期短于盗窃。

简介：　　1979年1月28日，时任国务院副总理的邓小平作为新中国领导人第一次正式访问美国，踏出了开放国门的第一步。
　　此次访美无疑是邓小平一生外交行程中最重要的一次出访，也是他人生中最后一次出国。时任美国总统的卡特这样说：“邓小平1979年2月访美之后，两国友谊与合作的大门终于敞 开。”有人说：邓小平访美的那九天是当代中国人“中国梦”的启航之旅！它改变了此后中国发展的进程，影响了所有国人的生活。从此，中国进入了一个新时代。
　　卡特总统在日记中论述：“邓小平受到了美国人民最热烈的欢迎。”
　　回首当年，一切的一切都寓意深刻。然而在九天访美中又发生了怎样激动人心、跌宕起伏的故事？谱写世界史大国格局从此开启，尘封三十年珍贵镜头终见天日。

简介：　　《谈婚论嫁》，国内首部80后情感纪录片。15对主人公跟踪拍摄，100对夫妻真情访谈，425天生活真实记录。全片共5集，每集24分钟，从剩女相亲到裸婚闪婚，从异地长跑到跨国网恋，从走上红毯到生死相依，记录他们的故事，分享婚姻的智慧。谈婚论嫁，我们又相信爱情了。

简介：纪录片《铜板声声·一代曲艺大师黄枫》以新中国曲艺史为背景，聚焦著名山东快书表演艺术家、曲艺作家黄枫从山东走向全国的艺术历程，彰显老一辈艺术家扎根生活，深入群众，始终把为党、为人民、为时代创作作为一生信仰的高尚品格与价值追求。\n黄枫，山东齐河人，“中国曲艺牡丹奖‘终身成就奖’”获得者。他一生创作、表演了300多段脍炙人口的山东快书，其中弘扬石油工人英雄事迹的《铁十回》是当代长篇山东快书的开山之作。举世闻名的大庆油田因为他创作的歌词《大庆子》而得名。六十年代，黄枫与马季、郭文秋、董凤桐被授予中国曲艺界“四大青年标兵”荣誉称号。著名喜剧演员黄宏、郭冬临、尹卓林均为黄枫的弟子。\n该片摄制组曾远赴黑龙江哈尔滨、大庆油田、湖北武汉、天津、北京等多地拍摄，采访了常祥霖、李双江、黄宏、赵连甲、姜昆、李金斗、陆鸣等众多名家。策划周密，结构严谨，史料真实，运用恰当，制作精良，具有很高的思想艺术价值、现实教育价值和和社会传播价值。

简介：

　　A man travels around the vast wilderness hunting various animals. He hunts everything from birds to bears. Once the animal is bagged he demonstrates how to process the game and cook it.

简介：　　《庞尼因·塞尔文:第二部分》揭示了前作中朱罗王朝内忧外患的源头：阿迪亚王子和楠蒂妮之间一段凄美的爱情悲剧。朱罗王朝年轻的王子阿迪亚和孤儿楠蒂妮青梅竹马，彼此相爱，然而王室为了拆散他们，流放了年轻的楠蒂妮。
　　公元978年，楠蒂妮决意为战死的潘地亚国王向王子和他的父亲孙陀罗国王复仇。为了深入朱罗朝廷，她嫁给了朱罗王朝的财政大臣。财政大臣伙同其他朝臣密谋另立国王的兄弟马杜兰塔卡姆为新王，以取代王储阿迪亚王子。潘地亚人誓要灭绝朱罗王族，他们率先向小王子庞尼因·塞尔文下手，但王子在海上突遇风暴，下落不明。听闻王子被大海所吞噬，王叔马杜兰塔卡姆自称为王位继承人夺取政权，并获得了外邦的支持。密林中，潘地亚人谋划着他们对朱罗王朝最后的致命一击，而楠蒂妮决心亲手杀死阿迪亚王子……

简介：剧情简介暂缺，敬请期待

简介：With the full participation and cooperation of the Henson family, this film will present a fascinating and intimate look at Jim’s illustrious career creating treasured characters and revolutionizing television and film. With never-before-seen personal archives, the film will give audiences an exciting first-person view into the life of one of the world’s most inspiring and icon...

简介：　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
　　Alexander Kluge: The Power of Feeling
　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

简介：中国大案录100集：　　1.西安大追捕6集，　　2.开封9.18大案8集，　　3.中华之剑8集，　　4.阿斯林侦破手记6集，　　5.95打拐第一案3集，　　6.铁血警魂19集，　　7.济南7.9大案14集；　　8.福州国际绑架案11集，　　9.沈阳3.8大案11集。　　貌似豆瓣有人把西安大追捕这6集单独拿出来做了条目。。。实际上找不到资源我也不确定啊！目前网上只有95打拐的3集，西安大追捕6集全，福州国际绑架案。其他的找不太到

简介：　　The search for planets beyond our solar system has brought an historic discovery: a planet slightly larger than Earth orbiting a star called Proxima Centauri. At just over 40 trillion kilometers from the Sun, Proxima Centauri is our closest stellar neighbor. Does its planet have a climate, or even life?
　　What will it take to get a closer look, to launch our first interstellar journey to the Pale Red Dot?

简介：这部纪录片剧集调查了世界各地的军事作战部队，了解他们如何使用专用设备为执行危险任务进行训练。