电商时代

简介：

尽管从小就失去了母亲的呵护和关爱，但汤姆（路易斯·霍夫曼LouisHofmann饰）还是长大成为了一个活泼伶俐的男孩。调皮的他无心上学，经常偷偷溜出学校，惹出一连串的麻烦。哈克贝利（莱昂·塞德尔LeonSeidel饰）是汤姆的朋友，一次偶然中，两人溜进墓地玩耍，却意外的目睹了一桩杀人事件。害怕遭到凶手的报复，汤姆和哈克贝利决定踏上逃亡的旅途，一行人来到了一座荒岛之上，在此开始了惬意的生活。汤姆的家人以为汤姆已死，没想到他却在自己的葬礼上跳了出来，吓了大家一跳，之后汤姆道出了事情的原委，使得凶手最终被绳之以法。之后，汤姆和贝姬（MagaliGreif饰）在山洞里迷了路，却因祸得福的找到了宝藏。

简介：巴黎一间默默无闻的小酒馆里，一位忧郁而孤独的钢琴伴奏师查理·科勒（夏尔·阿兹纳夫 Charles Aznavour饰）。他的生活简单而又单调。热情的酒馆女侍莉娜（玛丽·杜布瓦 Marie Dubois饰）为查理的才华所倾倒，爱上了他。原来，查理曾经是显赫一时的著名钢琴师，在妻子自杀身亡后隐姓埋名于此。莉娜鼓励他重新找回自己走上舞台。然而一日，多年未见的弟弟奇科·萨洛扬（阿尔伯特·雷米 Albert Rémy饰）因躲避黑道仇家的追杀而闯进了他的生活中。查理帮助弟弟逃脱了仇家的追杀，却意外卷入这场残酷的生死逃亡之中。幸运之神并没有眷顾与查理生死与共的莉娜，在激战中，莲娜不幸中弹身亡。查理再度回到了往昔的小酒馆中，一切又回归起始，却物是人非。　　由法国电影大师弗朗索瓦·特吕弗执导的黑白影片《射杀钢琴师》，根据美国作家大卫·古迪斯的小说改编而成。

简介：　　此片在刘忠良的电影里,算好的了,动作是影片的最大亮点,刘忠良的腿功可以与<鹤形刁手螳螂腿>里的表现并肩了,其他的动作方面也很耐看,王将与刘忠良合并的[击石双生拳] 、"杂家高手"高飞的[茅山杂家拳],打斗场面占了全片的1\2, "古装李小龙"巨龙也在本片里耍了八步螳螂拳,仿李小龙,耍双截棍,让人感觉有些不伦不类,但最好的还是最后的打斗,"杂家高手高飞把豹子拳、螳螂拳、鹤拳、童子拜观音.........的招试通通用出,与刘忠良对打,后来王将赶到,两人合力VS高飞,使影片达到高潮,剧情方面也不赖,

简介：无极长老为了让后人能够潜心修炼无极之术，便将无极诀分别封印在天极诀和地极诀两把钥匙里，分别由无相和逸天两名弟子保管，只有等待一个有缘人出现将天极诀和地极诀都悟透将两把钥匙封印同时打开，才可以练成无

简介：新兴宗教团体“美丽人生（Life is Beautiful）”，第三代教主吉川路易（藤原龙也 饰）风流倜傥，言辞极具煽动性。在一个醉酒的夜晚，路易搭乘酒吧结识的神秘美女流美（水原希子 饰）的汽车，对方的身份却让他着实一惊。未久，飞驰的跑车在某隧道内与一辆机车惨烈相撞。对方当场死亡，流美重伤昏迷不醒，路易则只受轻伤，逃过一劫。在此之后，教主的姐姐樱（原田麻由 饰）安排弟弟去南方某个小岛暂避风头，并雇用新野（松田龙平 饰）等三名保镖护卫路易的安全。与死神擦肩而过的路易切身感到生死无常，他试图解散教团，却遭到以母亲（大楠道代 饰）为首的一众高层强烈反对。　　风景如画的海边，死亡的气息肆意蔓延……

简介：一对父子前往堪萨斯州，他们想在柯达公司最后一间柯达克罗姆胶卷（Kodachrome）实验室关闭前冲洗照片。

简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

简介：邱启辰三兄弟机缘巧合来到海南黎族红山村，对美若天仙的黎族姑娘阿雅一见钟情。为博得阿雅的欢心，三人绞尽脑汁却闹出了一出又一出让人啼笑皆非的闹剧。为表决心，邱启辰三兄弟正式踏上黎乡创业之路，希望带领黎族村走出贫困……

简介：　　在20世纪初印度孟加拉的一个小村庄里。生活的艰辛使得村里穷苦人家充满了苦闷、忧虑与不和。哈里哈尔写了一首首诗，一个个剧本，但到处碰壁，无法出版。六年过去了，哈里哈尔家的房子更加破败不堪，贫穷一步不舍地伴随着他们。无穷无尽的烦恼，纠缠着他们。富人丢了东西，就赖杜尔加偷走了，尽管妻子萨尔博加娅不愿忍受这种侮辱，却也只能拿孩子撒气。哈里哈尔希望通过一举成名来重振早已破落的“门第”，可是，他每月八个卢比的微薄收入，以及沉重的家庭负担，致使他始终无法实现其各种美好的计划，就连维持家里人填饱肚子也做不到。他只好去异地他乡寻找一条出路，进城去赚了一笔血汗钱，谁料回到家时，等待他的却是巨大的灾难：暴风雨把房子冲塌了，十二岁的女儿杜尔加也病死了，萨尔博加娅痛哭起来。见此凄惨情景，哈里哈尔只好带领着妻儿离开故乡，去另谋生路，只有杜尔加长眠在这里。

简介：少女早月因男友死于交通事故而悲不自胜，每日起来晨跑，但愿稍稍纾解内心的哀伤。也因为跑步，她与奇人浦罗邂逅，从而得见百年一遇的景象：在清晨的薄雾中，她隐约看见男友微笑着朝她挥手作别，然后渐渐淡去。这次特殊的重逢，成全了早月怀念的心，让她从此能够重新面对现实生活。

简介：　　Two ladies of pleasure, kicked out of town, run across a Bounty Hunter shot to hell. After nursed back to health, the ladies decide he needs their help to track down, Gila Grimes, a ruthless, murdering bandit, for half of the bounty.

简介：

本片由《荞麦花开的日子》、《春天》、《好运之日》三个故事组成，三个故事均改编自韩国当代作家的短篇小说。《荞麦花开的日子》讲述了一个上了年纪的小贩对往事的追忆；《春天》则是一个年轻人在岳父家干了三年活，却始终结不上婚的喜剧；《好运之日》描绘了一个人力车夫的悲惨遭遇。