热土

简介：

年迈的农夫回到当年辛苦耕耘的农场，面对家人的背叛、宿敌的威胁，他该如何保住他的家园？改编自WilliamGay短篇小说，ScottTeems改写剧本并亲自导演，硬底老牌演员HalHolbrook主演

简介：　　母亲的死让长期离家的女儿蒂尔达Tilda（皮赫拉·维塔拉饰）回到父亲身边，法官米卡埃尔Mikael（维莱·维尔塔宁饰）注定要为他的儿子丹尼尔Daniel（劳里·蒂尔卡宁饰）的生活操碎了心。因为在他的眼里，丹尼尔和蒂尔达坠入爱河是件十分可耻的事，当然，他并不知道他的这对儿女约定用假装乱伦来惩罚独裁专横的自己。他决心滥用一切权力将他的儿子从罪孽的迷恋中拯救出来。然而，他所有的努力结果都是徒劳的，以致于变得越来越绝望，只能无条件地信任他的儿女——因为丹尼尔始终没有自己姐姐以外的感情对象
　　转载来源：播出电影网

简介：

　　《蜘蛛男》是“江户川乱步作品集”第七卷。故事开头，怪绅士稻桓租下了一间事务所，把它重新装修成美术艺品店。第二天开业时聘用了一名十八岁的美少女，但当天晚上就奸杀了这名少女。接下来的几天内报纸社会版头条陆续刊登了“碎尸案”、“美人鱼案”。民间犯罪学者畔柳博士接手此案，在与蓝胡子稻桓正面交锋的过程中屡屡败下阵来，直到环游归来的明智加入侦破阵营……，故事从读者预测不到的角度展开，是一部名探与杀人狂的斗智故事。

简介：一场野火吞噬了家族世代相传的牧场，牛仔达斯迪最终落脚于美国西部广袤大地上的一处小型联邦应急管理局安置营。作为家族最后一代牧场主，他困在土地的遗产与变迁之间，进退两难。 然而，他开始重新与年幼的女儿卡莉·罗斯、前妻鲁比建立联系，最终也走进了那个自己从未主动选择的周边社群——这里的人们都和他一样，失去了家园。他们一同在不经意间组建起一个社群，或许在这片荒芜之地，还能寻得希望、美好与未来。

简介：　　黑哥与满哪黑、遥哪黑是从小一起长大的好兄弟。三个人是名副其实的城市混混。又因为三个人一个比一个傻，闹出不少笑话。他们从电视上看到一个真人秀的节目《创意者》，参加节目只要能成功，就可以获得一百万奖金。黑哥羡慕不已，于是夸下海口要带着两个兄弟上节目，拿百万奖金。在上电视台的过程中，曾遇到过天上掉馅饼的好事。也有被骗的身无分文的时候，有过爱的收获，也曾被情所伤。更遇到过兄弟情意和前途的两难选择。即是小人物的搞笑故事，也是关于兄弟情意的严酷拷问。城市中混混的人生缩影，也是大梦想家的内心展望……

简介：该片讲述了新人保镖高天，为了解救被绑架的未婚妻，被意外卷入到一起调查犯罪集团的卧底行动中，在高天与警方卧底猎鹰的配合下，他历尽千难万险，九死一生，最终成功解救出未婚妻，并将犯罪分子全部绳之于法的故事。

简介：　　周创发（林盛斌饰）和妻子屈金香（麦玲玲饰）是从小玩到大的青梅竹马，两人的感情从懵懂无知的友谊迈向浪漫纯洁的爱情，最终携手步入了婚姻的殿堂。一眨眼十年过去，曾经的青涩和激情早已经被生活的坚信磨为了平淡，有的时候，周创发甚至会产生怀疑，自己十年前所做出的，是否是正确的选择。

简介：

简介：　　出品单位:四维创意影视文化（北京）

简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

简介：　　影片以南水北调中线工程湖北丹江口市移民干部刘峙清为原型，讲述该项工程移民工作中的感人事迹，反映了丹江口移民干部群众为南水北调做出的牺牲和奉献。

简介：德国移民的名导演埃里克．冯．施特罗海姆花费了一百三十万美元和十一个月的时间摄制而成的超级文艺片，原拷贝长达五小时，公开上映时浓缩成三小时半。由于耗资惊人，好莱坞大亨本来对埃里克颇有微词，后因本片获得意外的卖座成功而作罢。故事以1919年的蒙地卡罗为背景。埃里克扮演一个欺骗美国外交官女儿的白俄亲王，靠着剥削他的情妇----一个貌丑的女仆为生。由于性虐待狂的驱使，他强奸了一个不幸的白痴女子。最后，他被人杀死，他的尸首很有象征意义地被扔在臭水沟里。埃里克对自然主义情有独钟，希望把一切情史都在画面中表现出来。他特地在加州海边搭建起蒙地卡罗的赌场和雄伟宫殿的布景，并且在采光上有十分大胆的处理方式。影像上也富于感官刺激的煽情暴力场面，甚至劳烦电检单位剪掉了其中的一些镜头。在片中，埃里克用一种辛酸的悲观主义眼光来观察人类，对上层社会的腐朽和封建作出激烈的抨击，流露出一种愤而感伤的怜悯色彩。而对低下层的人物和被骗上当的女子，则寄予同情的关注，表现出独特的“埃里克式人道主义精神。