羽毛球2019

简介：《飞吧冰球》讲述了齐齐哈尔两代冰球人传承冰球精神，追梦圆梦，争创“亚洲最佳冰球城市”的故事。影片用生动的形象和艺术表现，展示了齐齐哈尔市百万人上冰雪、丰富多彩的冰球赛事和冰雪器材市场的繁荣兴盛，片中激情滑雪、雪地放飞和室外温泉等北国冰雪特色场景，全方位呈现鹤城得天独厚的自然资源和人文情怀。

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Katoisanaspiringscreenwritertreadingwater.Hespendshisdayspitchingstoriestooffbeatagentsandexecutiveswhoareanythingbutimpressed.Notthathehasrunoutofideas,theyjustdon’tseemtogoanywhere.UnlikehisrelationshipwithhisgirlfriendZigzag–thatoneisgoingdownthedrain.LittledoesKato–oranyone–knowthatlifeisabouttotakesomeseriouslyweirdturns.Whileouttobuythespecialbrandoffoodforhisgirlfriend’sdogCerberus,Katodiscoversanabandonedconveniencestorethattransformshistrajectory.Astumbleintoarefrigeratorcatapultshimintoarealmoffantasticalinspirationboostedbyaneccentriccouplehemeetsalongtheway.Mightthisbethekeytogettinghismojoback?MikiSatoshi(AdriftinTokyo,WhattoDowiththeDeadKaiju?)returnswithasurrealandquirkyindiefilmthatmanagestobebothcharminganddeeplyphilosophical.TeamingupwithJapanesecinemaexpertandnotablecriticforTheJapanTimesMarkSchilling(Art,CultandCommerce:JapaneseCinemaSince2000),ConvenienceStorytakesyouonaneccentricDanteanridebrimmingwithpsychologicaltensionandthezestofkarma.Fromthepurgatoryofwriter’sblock,toahellofanadventure,Kato’sjourneyisasatisfyingandthoughtfultale.源自：https://iffr.com/en/iffr/2023/films/convenience-story

简介：越战时期，奔赴战场的美国大兵途径香港时，会在湾仔停留，这让湾仔自1950年代末的数年间，充斥靠他们过日子的纹身师傅、小要饭、拿着照片找爸爸的“杂种”、阿飞及实为妓女的Bar女郎，形成特有的风情。　　Bar坊妈咪回乡找人做Bar女，家境贫寒、相貌不俗、个性倔强的赖水尾（夏文汐）和几个同乡姐妹从大澳渔村来到湾仔，开始卖肉生涯。起初，渔家女受到其他Bar女的嘲笑，但经过经验丰富的小伶玉（于倩）的一番调教，她们很快不输她人，易名水美丽的赖水尾更是出尽风头。风度翩翩却又年少轻狂的“杂种”Jimmy（黄秋生）幼年丧母，小伶玉将他养大后视作私有财产，不过Jimmy对她并无爱情，他心里只有不知身在何方的父亲。为Jimmy着迷的不止小伶玉一人，诸多Bar女只怪小伶玉将他看得太紧，他又不给她们揩油的机会。水美丽亦钟情于他。　　某次Jimmy被阿飞堵截，水美丽机智将他相救，又相告有心听来的他父亲的名字，两人瞒着小伶玉开始恋爱。后来水美丽为了他与小伶玉撕破脸，主动离开Bar坊，而找到父亲的他早忘记当初誓言，拍拍屁股去了美国。一家不要家家不要的行规令水美丽成为街头妓女，但小伶玉这个机会亦不给她，无奈之下她去了麻油地，几年挣扎，境况越来越糟。亏得性情相投的黑帮大姐大王英（叶德娴）相助，水美丽东山再起，短短几年更将生意做到了尖沙咀。　　随着越战的结束，湾仔渐成荒凉地，小伶玉亦变作风中残烛。水美丽念旧恩将她探望时，Jimmy恰好回港。听闻他是回港找妻，旁人都以为水美丽会与他再续前缘，对他早已死心的水美丽心底亦再泛涟漪，不料他早变作世俗之人，更将两人的感情忘得一干二净。其后水美丽有心将精力全部放在生意上，无奈时代风云不是她及待她若同性爱侣的王英所能把握。

简介：海南省新一代公安刑警雷鸣，王磊，夏丽莎还有李刚，在他们的刑侦工作刚抓住连环杀人犯后，海城市又发生了一件紧急案件，在某幼儿园外围发生爆炸，所幸无人受伤，这只是嫌疑人的警告，目的不在幼儿园而是为了引起警方的重视，从中又绑架了房地产老板孙大卫的儿子。雷鸣率领小队抓住线索准备缉拿犯人时又发现这件绑架案中的受害者孙大卫其实还牵连了另一起民事案件。

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故事发生在一间名为免姨商店的杂货店中。这间商店建立在一所小学的旁边，每当放学后，无数的小学生会涌进这间商店，因为对于他们来说，这里仿佛是埋藏了无数宝藏的神秘洞穴，而商店的主人阿免姨（林美秀饰）无异于总是能给他们带来惊喜的魔法师。米多力（陈慕义饰）是镇上的老邮差，他努力的工作，只为了实现自己的梦想，那就是攒够了钱带阿免姨去旅行。一天，镇上来了一位名叫吉米（纪亚文饰）的神父，让大家没有想到的是，吉米的到来竟然令阿免姨选择关掉了商店，跑去和他学习英文。要知道，在过去，免姨商店可是就算逢年过节也不会休息的无休商店。

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产业中央银行迎来一批朝气勃勃踌躇满志的新人，其中山崎瑛（竹内凉真饰）和阶堂彬（横浜流星饰）这两个AKIRA尤其夺目，更留下一段对决的传奇佳话。山崎出身手工业者家庭，幼时的经历使他对身处困境的人们有着强烈的认同感。阶堂来自家族企业东海邮船，由于厌烦了亲情之上的勾心斗角而离开家族独自闯荡。不同的背景和出发点，使得两个年轻人走出截然不同的人生。被放逐地方分行的山崎毫不气馁，通过顽强拼搏终于回到了总行。与此同时，阶堂的父亲过世，彬的弟弟龙马（高桥海人饰）对兄长怀着深深芥蒂，原本以为能再创荣耀，谁知却被两个叔叔算计，企业陷入崩盘危机。关键时刻，两个AKIRA殊途同归，再度联手……本片根据池井户润的小说改编。

简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

简介：Two men kidnap a girl off the streets, take her to a beach house owned by a drug-addicted stewardess, and hold her for ransom.

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影片故事取材于南京大屠杀期间日军真实罪证影像。一群生活在南京的百姓躲在吉祥照相馆中避难，为了尽可能的多活一日，他们被迫帮助日军摄影师冲洗底片，却意外冲印出了能证明日军屠城的罪证照片。他们原本只想在大屠杀中保命活下去，面对日军在南京城内的暴行，他们决定让这些底片留存下去……

简介：俄国导演Kira Kovalenko将执导首部剧情长片[松开拳头](Unclenching The Fists，暂译)。故事发生在北奥塞梯山脉上的一个矿业小镇，故事围绕着一个年轻女人为了摆脱父亲的控制而展开。Kovalenko与Anton Yarush([亲密])和Lyubov Mulmenko共同撰写剧本。

简介：原为暴走族的教师鬼冢来到了充满问题的高中，向有烦恼的学生们展开了热血授课。时代从平成变成了令和，出现了在当时没有的SNS的诽谤和中伤的纠纷。

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　　生性仗义的张青（桑伟淋 饰）为人忠厚，孟州城帮会首领豹哥（张德晖 饰）犯奸获罪，转嫁到张青头上，无辜的张青代人受过入狱服刑。张父得知独子坐监，变卖全部家产救儿子出狱，自己则郁郁而亡。出狱后张青想脱离豹哥干点正经营生，豹哥不允，无奈的张青只好到寺院种菜。当时的孟州帮派林立，谁都想独霸一方，张青深感世道艰难，他堂堂七尺男儿竟无立足之地。思前想后，张青决定涉水江湖，他带领山子（刘峰超 饰）、蚂蚱（仲晓鸥 饰）等兄弟揭竿而起，与黑白两道相抗争。捕快李绍甫（卢星宇 饰）为获取张青手上的官银，把张青的女人心莲（施诗 饰）扣作人质，张青闻讯大怒……
　　本片根据《水浒传》改编。