鼠王2025

简介：影片讲述了在休斯顿的郊区，一个十几岁的女孩因母亲的监禁变得堕落，一个年迈的斗牛士努力在斗牛竞技场上站稳脚跟，这2个人形成了一种不太可能的关系纽带，并试图纠正各自的道路。

简介：　　林益当年差多年，仍是散仔一名，心有不甘，时欲“发围”。此时林的外甥水牛从美国回来渡假，因帮助在酒吧邂逅的席梦思。因而令林、思及自己卷入一宗侵吞军火交易的罪行之中……

简介：剧情简介暂缺，敬请期待

简介：　　Seasoned horse jockey Jackson (Clifton Collins Jr.) has weathered decades of races on the riding circuit, but he now finds himself facing what could be his last season as his health deteriorates. With the help of Ruth (Molly Parker) and a promising new horse, Jackson starts to prepare for the upcoming championship. His plans take a left turn when a budding young jockey (Moisés Arias) shows up and claims to be his son. Caught between yearning for a connection and uncertainty about his own future, Jackson confronts difficult questions regarding his legacy.

简介：

简介：金宝罗短篇电影《多少有点多云》

简介：

　　第77届奥斯卡终身成就奖获得者西德尼·吕美特（《十二怒汉》、《黄金万两》）经典之作
　　获戛纳电影节最佳男演员奖（拉尔夫·理查森、贾森·罗巴兹、迪安·斯托克韦尔三位男演员同获）、最佳女演员奖（凯瑟琳·赫本）
　　奥斯卡最佳女主角提名     凯瑟琳·赫本
　　影片改编自获诺贝尔文学奖的美国剧作家尤金·奥尼尔的同名自传戏，将一个男人自家中不可告人的秘密毫不留情、赤裸裸地公诸于世。这是一部关于一个戏剧演员青春岁月和他的家庭的伦理片，往事如同幽灵一样纠缠著他，彷佛在他心灵深处跟他在作祟，如果他不倾诉出来，就永远无法安宁。
　　影片立意深刻，细致感人，几位演员的表演精彩绝伦，颇具震撼力。

简介：

　　Lekar Hum Deewana Dil (transl.Taking along our crazy hearts) is a 2014 Hindi language romantic drama film that stars Armaan Jain and Deeksha Seth. Jointly produced by Saif Ali Khan, Dinesh Vijan and Sunil Lulla under the banner of Eros International, Maddock Films and Illuminati Films, it is the debut directorial venture of Arif Ali, who was the assistant writer of the film Aahista Aahista, written by his brother Imtiaz Ali. The film has music scored by A. R. Rahman. The film was released on 4 July 2014

简介：

　　剧情介绍：
　　在一个位于印度北部的小镇上，一位美丽的贵妇人和她的贵族丈夫，一名雄心勃勃的少年，一场充斥着背叛与野心的阴谋，构成了一个关于老爷 太太 仆人的故事。
　　贵族大人与他的娇妻，住在他们祖先传下的古老王室住宅中，他们试图据此保持祖先时代的高贵地位。但时过境迁，由于财务状况走向极端，并且贵族大人沿袭了皇室习惯——包养情妇。他渐渐入不敷出，确实难以维持他的地位与钱财了。
　　Gainda Singh，一个作为与他竞争的政党人物，接到了一个终极使命——除掉贵族大人以及他的盟友，再接管被这个王室家族统治了几十年的政权。他，就是该政党在贵族大人的身边安插的一枚“定时炸弹”——一个让贵族大人最信任的危险仆人。
　　由于贵族大人的兴趣全放在他的美貌情妇身上，贵妇人遭到他的严重冷落，她竭尽全力想要挽回丈夫的心，所付出的所有努力只不过是希望自己丈夫可以多花些精力和时间陪陪自己。贵族大人开始制定死亡名单杀害他的财权分配人，以及保住他无比挥霍的生活方式，保住他高高在上、不受动摇的政治地位。他必须赢得选举，因为他不想失去盟友，不想他那更加恶化的财务状况无法收场。
　　镜头转向同为贵族大人的对手政党的Babloo派，他们为谋杀贵族大人制定了一个周密计划。在为贵妇人开车的年迈司机车祸后，一个年轻的司机走进了贵妇人的生活。当然，这自然是阴谋的一部分。
　　贵妇人无法忍受丈夫的冷落，她竭斯底里地渴望着她身体的“性需求”。于是，她同那个看上去更愿意在她身上多花些时间的年轻司机发生了关系。
　　在这个过程中，Babloo男孩与贵妇双双坠入爱河无力自拔，他在贵族大人面前坦白了他的真实身份和意图。这时，贵族大人、贵妇人、Babloo男仆之间的戏剧化故事才真正揭开帷幕。
　　这个充满了曲折的故事，已经发展到贵妇利用Babloo男仆杀害了一直吸引贵族大人的他的情妇，她想夺回丈夫对她的爱。而Babloo男仆除了在想方设法满足贵妇人的要求外，他还想真正拥有她。这个极有野心的男孩要得更多，包括除掉Gainda Singh以使他得到贵族大人的权势。

简介：

　　A gritty and tender coming of age story about a young woman in Southern Ohio who joins a scrap metal crew to earn money for college, but soon finds herself torn between a promising future and the family she would leave behind.

简介：　　《蓝色的眼泪》讲述的是一个爱国老华侨的一段旷世跨国的近代历史爱情故事为引伸，通过老华侨的孙儿林旭尧在为爷爷寻找初恋情人过程中遇见过的神秘的姆鲁山洞，令人惊叹的美里猎头族文化，还有奇妙而美丽壮观的杜山“蓝眼泪海滩”，同时林旭尧在曲折的寻觅中收获了自己的跨国爱情。剧情开头日军侵占族人部落险象环生、蓝眼泪海滩神秘奇幻、感情高潮迭起、黄大师等表现诙谐幽默。内容连续跨越中国、马来西亚、文莱三个国家。这部影片集中体现表达了中马人民友谊的深厚情感，也是展现建设“一带一路”沿线国家文明和民族艺术文化的一部有力巨作。

简介：

　　Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.