巴利墨菲先例

简介：1949年10月1日新中国开国大典当晚，欢庆的游行队伍高呼着“毛主席万岁”经过天安门城楼时，扩音器里不断传来毛泽东洪亮的声音：“人民万岁”！这一声朴实而又充满感恩的回应，凝固成永恒的历史音符。 影片在毛泽东同志诞辰130周年之际，用别具情感力量与温情脉络的经典光影描绘出一幅感人至深的历史画卷，弘扬了中国共产党第一代领袖的崇高精神，彰显出人民万岁的铮铮誓言。

简介：该美食纪录片2019年至今已播出100集。承前三季烟火气、趣味性和治愈感三大特点，本季将在“美味”“故事”“共情”三个维度上继续做深度开掘，为每一个脚踏实地、努力追光的你，送上人间好食光。　　时隔两年，节目第四季深情回归。我们依然在拍摄那些微不足道的民间食物，依然在见证那些触手可及的人间奇迹。星转斗移，平凡永恒。倾尽两年，只为专注一句“早安，人间”。

简介：220420-8-10日

简介：　　一名调查记者追查一起代号为“章鱼”的政/治/阴/谋，结果却死于酒店房间内。几十年后，新的犯罪细节浮出水面。

简介：全副武装的德爷参与了Discovery UK的新节目“left for dead” 9.14日播出。

简介：继《纽约灾星》和《制造杀人犯》 之后又一部极佳的纪录剧集。本作是导演伊斯拉•埃德尔曼摄制的5集纪录电视电影。将震惊美国的著名橄榄球运动员O.J. 辛普森杀人案事件再度搬上荧幕，通过对辛普森人生轨迹

简介：

　　该纪录片通过德国、意大利、日本三个轴心国分别在欧洲、亚洲、中东所挑起的战争，表现了在第二次世界大战中，世界反法西斯联盟在海、陆、空的各个战场上英勇抗击法西斯侵略者宏大场面。通过该片使我们充分了解到如：斯大林格勒、诺曼底登陆及攻克柏林等重大战役珍贵史实资料。
　　重温《The World At War》
　　1、制作
　　2、一个新的德国，1933-1939
　　3、奇怪的战争，1939年9月-1940年5月
　　4、法国沦陷，1940年5月-6月
　　5、单独作战，1940年5月-1941年5月
　　6、巴巴罗萨，1941年6月-12月
　　7、万岁！日本，1931-1942
　　8、走我的路，美国，1939-1942
　　9、北非沙漠，1940-1943
　　10、斯大林格勒，1942年6月-1943年1月
　　11、狼群战术
　　12、苏联红星，1941-1943
　　13、旋风轰炸德国，1939年9月
　　14、回顾往事
　　15、一个可爱的日子，昨天：缅甸
　　16、家园遭焚：英国 1940-1941
　　17、帝国内：德国，1940-1944
　　18、六月黎明：1944年8月
　　19、占领荷兰，1940-1944
　　20、钳形攻势，1944年8月-1945年3月
　　21、大屠杀 1941-1945
　　22、报应，德国，1945年1月-5月
　　23、日本，1941-1945
　　24、太平洋，1942年2月-1945年7月
　　25、核弹，1945年1月-9月
　　26、清算
　　27、回忆
　　特辑一：希特勒的秘书
　　特辑二：谁赢的了二战
　　特辑三：希特勒之死
　　特辑四：勇士们
　　特辑五之一：奥斯威辛集中营（上）
　　特辑五之一：奥斯威辛集中营（下）
　　特辑五之二：奥斯威辛集中营（上）
　　特辑五之二：奥斯威辛集中营（下）
　　特辑六之一：人民公社（上）
　　特辑六之一：人民公社（下）
　　特辑六之二：人民公社（上）
　　特辑六之二：人民公社（下）
　　这是我能找到的《The World At War》最详细的分集名字了，有些是我自己起的名字 :cool!: 这部1974年英国一家电视制作公司制作完成的宏伟巨作应该是反映第二次世界大战最权威的纪录片。看看他们做了多少工作就知道这部片子的分量，出现在他们影片中的有事件发生的当事人，有高级军官，有政治家，有普通百姓、还有普通士兵。整部大约26小时的影片中没有一个重复镜头，全部镜头均取材于当时的战时宣传影片或照片。该片的解说为著名英国演员劳伦斯奥里佛爵士，相信听过他诠释哈姆雷特“生存还是死亡”的人对他的声音应该有印象。此外该片的资助人是大英博物馆，每集的拍摄都组成了单独的制作小组，有各自独立的编剧、导演，然后经过专门聘请的历史学家审评，再加以精心制作。我相信，在反映二战的纪录片中，不但过去没有，今后恐怕也没有能超越这部片子的了。
　　第一次看到这样翻译纪录片的，十分新鲜。不过令我念念不忘的还是影片带给我的震撼，当看到身临其境者一个个出现在屏幕上现身说法时，还有比这更有说服力的吗？比如第7辑《万岁！日本》中描述珍珠港事件，被采访的有日军计划制定者、特遣舰队的海军军官、驻珍珠港的日本间谍、空袭珍珠港的日军飞行员、当时在场的美国陆军军官、美国海军军官和水兵，甚至还有当时珍珠港的平民。短短20分钟的叙述让你永远难忘。

简介：胡丽塔是位非常有个性的老太太，一直以来有三个愿望：拥有很多孩子，一只猴子和一 座城堡。生活最终实现了她的愿望，她的生活充满轶事和回忆，以及千奇百怪的破烂家 什。本片导演是老太太最小的儿子，他拿起摄像机，纪录了这个美满家庭中最特立独行 的面孔。唯一的麻烦是，他们找不到被杀害的外祖母的遗骨了…

简介：　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
　　Alexander Kluge: The Power of Feeling
　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

简介：　　欢迎来到职业美人鱼异想天开的世界——在这里，人们对穿着脚蹼游泳的热情已经演变为价值五亿元美元的产业

简介：　　An intimate portrait of Tyler Perry and his harrowing but faithful road to the top of an industry that didn't always include him.

简介：

　　With the rapid emergence of digital devices, an unstoppable, invisible force is changing human lives in ways from the microscopic to the gargantuan: Big Data, a word that was barely used a few years ago but now governs the day for many of us from the moment we awaken to the extinguishing of the final late-evening light bulb. This massive gathering and analyzing of data in real time is allowing us to not only address some of humanity biggest challenges but is also helping create a new kind of planetary nervous system. Yet as Edward Snowden and the release of the Prism documents have shown, the accessibility of all these data comes at a steep price. The Human Face of Big Data captures the promise and peril of this extraordinary knowledge revolution.